Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Sugar Pill, Twilight Reduction, Soul Song Paralytic, Flux Camoufleurs, Volume I, A Crack in the Snow Mortar, By Some Great Storm, Deliverance (single), Journal of Retreat, and 2 more. , and , . Purchasable with gift card Buy Digital Discography $60 USD or more (25% OFF) Send as Gift Share / Embed 1. Reclamation Trials 01:48 buy track 2. Hung Up, Then 01:43 buy track 3. No Doom 03:17 buy track 4. Close Proximity 03:39 buy track 5. Imaginary Inhabitants 02:36 buy track 6. Marble Class 01:21 buy track 7. Roma 04:34 buy track 8. Toppling 04:05 buy track 9. Waxwing 01:06 buy track 10. Grenada 01:41 buy track 11. Didn't Do Enough To Save Him 02:30 buy track 12. Merkurios 01:16 buy track 13. The More You Leave Open 03:35 buy track 14. Imaginary Inhabitants (stylophone version) 02:36 buy track about This is Saint Solitude's first collection of instrumentals; the far reaches, buried treasures, bagged peaks, and near misses of a wayward ear. While on its surface it bears little resemblance to the technicolor pop of earlier SS records, Dup Crosson's longstanding love of loops persists here in brief, cathartic bursts. Perhaps for the first time in this project's history, tension wins wholeheartedly over resolution in tracks like "Roma" and "The More You Leave Open." The insurrection is suggested but not yet deployed.Elsewhere, there are forays into Spanish-style classical guitar ("Grenada"), samples, Ennio Morricone-style cowboy whistles ("Didn't Do Enough To Save Him"), an instrument that sounds like a flock of birds, and the closest thing you'll ever hear to a beatbox in an SS song ("No Doom"). One song, "Imaginary Inhabitants," was written for a short film of the same name by Crosson's friend and bandmate Dan Trefethen. The collaboration helped initiate a series of tracks inspired by film."I've always been a movie junkie," Crosson says. "It's common practice for me to record with a muted movie on in the background. Images offer a completely different palette for inspiration. They have their own rhythms too. It's long been a goal of mine to write a score, contribute to a soundtrack, or even write a commercial jingle--anything where visual cues act as the starting point." $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released February 10, 2015 Written, produced, and mixed by Dup Crosson except "Roma" mixed by Jose Ayerve at Mobile Womb and "No Doom" mixed by Dup Crosson and Lee Crosson. Recorded at Stumble Abode, 2013-2014 except "No Doom" recorded partly at Blue Moon, Asheville, NC in 2010. Dan Trefethen played lapsteel on "Imaginary Inhabitants."Mastered by Mark Alan Miller at Sonelab, Easthampton, MA. Images from "Welcome to Pine Point," by the Goggles, produced by the National Film Board of Canada. Cover layout by Katharine Sidelnik. $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags alternative crimson buffalo imaginary inhabitants bedroom recordings garage rock indie pop loops shoegaze soundtrack suspense Oakland Shopping cart total USD Check out about Saint Solitude Oakland, California
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